|
|
|
|
|
GUERRA DE LA PAZ
|
|
|
|
Guerra de la Paz is the composite name that represents the creative team efforts of Cuban born artists, Alain Guerra (born in 1968 in Havana, Cuba) & Neraldo de la Paz (born in 1955 in Mantanzas, Cuba) who are currently living in Miami, Florida. Both began working as a collective in 1996 when they decided to share a studio in Miami's Little Haiti. Since then it has evolved into an ongoing collaboration that has grown by way of experimentation and constant dialogue, combining two conservative personalities into one single element with a visual language that conveys a universal message; A cross-cultural humanist look at dichotomies and parallels, mixing classicism with the general consensus of the day and iconic imagery with a complexity of identities. |
|
EDUCATION |
|
Alain Guerra |
School of the Arts, Chicago, IL |
Centre for Expressive Arts, Miami, FL |
|
Neraldo de la Paz |
BFA, Drawing/Painting |
Northern Illinois University, De Kalb, IL |
Cintas Fellowship Award |
|
|
SOLO EXHIBITIONS |
|
2011 |
Barbed, Praxis International Art Miami, Miami, USA |
|
|
Follow the Leader, Solo Site Specific Installation, Craft Alliance Grand Center Gallery – The Kransberg Arts Center, St. Louis, MO |
|
|
Manto, Big Screen Plaza, New York, USA |
|
|
Manto, Intersection Box 16, Prague Quadrennial of Performance Design and Space, Prague, Czech Republic |
|
|
Bonsai Couture, Galerie Kashya Hildebrand, Zurich, Switzerland |
|
2010 |
Home, Jack Olsen Gallery, Northern Illinois University, De Kalb, IL |
|
2009 |
Otherworld, Carol Jazzar Gallery, Miami FL |
|
2008 |
Six Thai Trannies in Heaven, Elsewhere Artist Collaborative, Greensboro, NC, permanent Installation |
|
|
The Green Zone, curator Lynn del Sol, Daneyal Mahmood Gallery, New York, NY. |
|
2007 |
Flower Children, Carol Jazzar Gallery, Miami Fl. |
|
2006 |
Oasis, Site-Specific Installation, Organized by Sofia Zutautas for The Chicago Department of Cultural Affairs, Michigan Avenue Galleries, Cultural Center, Chicago, IL. |
|
|
Don't Ask Don't Tell, Curated by Milagros Bello, Hardcore Art Contemporary Space, Miami, FL |
|
|
Guerra de la Paz, Curated Lynn del Sol, Jack the Pelican Presents, Williamsburg, Brooklyn, NY. |
|
2005 |
Teaser, Curated by Anthony Spinello, Liquid Blue Gallery, Miami, FL. |
|
2004 |
The Four Seasons, Curated by Samantha Salzinger, Art and Culture Center of Hollywood, Hollywood, FL. |
|
|
Circle-Rectangle-Square, Organized by Rem Cabrera, Cultural Resource Center, Government Center, Miami, FL. |
|
2003 |
Seven Deadly Sins, Curated by Guerra de la Paz, The Buena Vista Building, Suite 222, Miami Design District, Miami, FL. |
|
2002 |
Overflow, Site-Specific Installation, Curated by Gary Moore, Funded by Miami-Dade County Department of Parks and Recreation, African Heritage Cultural Arts Center, Miami, FL. |
|
|
the back room, Multipart Installation, house next to Dorsch Gallery, Miami, FL. |
|
|
Breakthrough, Dorsch Gallery, Miami, FL. |
|
2001 |
Glossies, Dorsch Gallery, Miami, FL. |
|
|
GROUP EXHIBITIONS |
|
2012 |
Morbid Curiousity: the Richard Harris, Chicago Cultural Center, Chicago, USA |
|
2011 |
Coming Out of the Closet, Curated by Viki D. Thompson Wylder, Mary Brogan Museum of Art and Science, Tallahassee, FL, USA |
|
|
Aleatorios: Una Perspectiva del Videoarte en Venezuela, Curator - Maria Teresa Govea Meoz, Museo de Art Contemporaneo, Caracas, Venezuela, |
|
|
Cuba Now, 21c Museum, Louisville, KY, USA |
|
|
Time|Behind the Vision, Curated by Julian Navarro, Praxis International Miami, Fl USA |
|
2010 |
New Work Miami 2010, Miami Art Museum, Miami, FL |
|
|
Hunt and Chase, Curator - Beth Rudin DeWoody and James Salomon, Salomon Contemporary, East\Hamptons, NY, USA |
|
|
Don’t Piss on Me and Tell Me it’s Raining, Curator - Bad at Sports, Apex Art, NYC, NY, USA |
|
2009 |
Global/National: The Order of Chaos, Curator - Papo Colo and Jeanette Ingberan, Exit Art, NYC, NY, USA |
|
|
Aesthetics and Values, Curator - A&V Honors Class, Frost Museum, Florida International University, Miami, FL, USA |
|
|
In Stitches, Curator - Beth Rudin DeWoody, Leila TaghinIa - Milani Heller Gallery, NYC, New York, USA |
|
|
No Longer Empty at The Invisible Dog, Curator - Manon Slome, Ashe Remy-Toledo, Julia Draganovic, Tara de la Garza, Julian Navarro, Brooklyn, NY, USA |
|
|
Dress Codes: Clothing As Metaphor, Curator - Barbara J Bloemink, Katonah Museum of Art, Katonah, NY, USA |
|
|
Bad News, Daneyal Mahmoud Gallery, NYC, USA |
|
|
Abstract America: New Painting and Sculpture, Saatchi Gallery, London, UK |
|
|
Space Unlimited, Curator - Tatiana Flores, Art Museum of the Americas-Organization of States, USA |
|
2008 |
The Labyrinth Wall, Curated by Jeanette Ingberman and Papo Colo, Exit Art, NYC, New York |
|
|
Polychrome Affinities, Curated by Michelle Weinberg, Main Library, Miami-Dade Main Public Library System, Miami, FL |
|
|
Vested Interest, Curator Lena Vigna, John Michael Kohler Arts Center, Sheboygan, WI |
|
2007 |
Love/Sex/War, Exit Art Gallery, New York, NY. |
|
|
No Need to Touch, Curator Renee Cagnina, ArtCenter Miami, FL |
|
|
Tuttavia Povero! (Still Poor), Curator Douglas Ferrari, SICA The Shore Institute of the Contemporary Arts, Long Branch, NJ, USA |
|
2006 |
Grendel, Jack the Pelican Presents, Cerro Market, Wynwood Arts District, Miami, FL. |
|
|
Newark Between Us, Curated by Rupert Ravens, National Newark Building, Newark Arts Council, Newark, NJ. |
|
2005 |
Identity of a Scene, Curated by Douglas Voisin, Miami, FL |
|
|
Hardcore Menu: Samples and Dishes, Curated by Milagros Bello, Hardcore Art Contemporary Space, Miami, FL |
|
|
Aerial-Terrestrial, Curated by Milagros Bello, Miami-Dade College, South Campus, Building M, Kendall, FL |
|
|
Love/Money, Curated by Nikki Beem, Miami Light Project, Miami, FL |
|
|
Cintas Fellowship Exhibition, Curated by Gabriela Rangel, Americas Society, New York, NY |
|
|
Something To Stare At, Curated by Lynn del Sol, Melody Weir Gallery, Chelsea, New York |
|
|
AIM, Abstraction In Miami, Curated by Brook Dorsch, Dorsch Gallery, Miami, FL |
|
2004 |
Sites Miami, Organized by William Kaddell, Lummus Park, Miami, FL |
|
|
all art collections start small, Organized by Rem Cabrera, The Art Gallery At Government Center, Miami, FL |
|
|
Spectacle of Sound, Curated by Barbara Young, Main Library, Miami-Dade Public Library System, Miami, FL |
|
|
Summer Miami: Works on Paper, Curated by Leonard Tachmes, Leonard Tachmes Gallery, North Miami, FL |
|
2003 |
Between Art and Life: From Joseph Cornell to Gabriel Orosco, Curated by Peter Boswell, Miami Art Museum, Miami, FL |
|
2002 |
To Kiss the Spirit, Artemisia Gallery, Organized by Columbia College Art and Design Department, Chicago, IL |
|
|
No Home Show, Curated by Robert Chambers, Studio Residence Miami, FL |
|
2000 |
Les Chemical Carnales, Curated by Ed Paschke, Hyde Park Art Center, Chicago, IL |
|
1999 |
The Altered Object, Hyde Park Art Center, Chicago, IL |
|
|
Emerging, Ann Nathan Gallery, Chicago, IL |
|
|
COLLECTIONS |
|
Printworks Gallery, Chicago, IL
Susan Cummings Gallery, Mill Valley, CA
Palo Alto Cultural Center, Palo Alto, CA
Rockford College Art Gallery, Rockford, IL
Santa Monica College Art Gallery, Santa Monica, CA
Heron School of Art, Indianapolis, IN
Fort Wayne Museum of Art, Fort Wayne, IN
Boulder Museum of Contemporary Art, Boulder, CO
Illinois State Museum, Springfield, IL |
|
|
|
|
|
|