Based in Tabrinz, Zindashti is influenced by an architectural principle that draws a correlation between architecture and ethics. He believes that his works function as alternative spaces for prayer, repeating the text of the Prayers for Prosperity in abstracted and improvisational Seljukain and Talisman scripts. His works express humbleness and spiritual devotion, but they also attempt to revive a forgotten art ethics, where repetitions of texts become prayers in their own right. Unlike traditional calligraphy that illustrates specific Koranic texts or poetry, Zindashti creates spiritual works with no direct references. |